Photographer Camilla Greenwell

Charlotte Edmonds is a choreographer and filmmaker whose work fuses classical technique with a cinematic, emotionally driven approach to contemporary dance and film. She trained at The Royal Ballet School and Rambert School, and holds a Master’s in Choreography from Central School of Ballet. 

Breaking ground early in her career, Charlotte became The Royal Ballet’s Inaugural Young Choreographer. Since then, her work has been characterised by a commitment to exploring complex social and emotional perspectives across stage and screen. She has created classical and contemporary works internationally for leading institutions including The Royal Ballet, Bayerisches Staatsballett, Dutch National Ballet, Northern Ballet, Opera Holland Park, Norwegian National Ballet Ung, Studio Wayne McGregor and Yorke Dance Project, alongside extensive work with major training institutions such as The Place, Rambert Dance Company, Dance Arts Faculty, Rambert School, The Royal Ballet School, Dance East and Birmingham Hippodrome.

Alongside her stage practice, Charlotte works as a director and movement director across film, music, and broadcast, collaborating with artists such as Jehnny Beth, Gretel, Lola Young, and Duran Duran, and with platforms including BBC Arts and Nowness. Her interdisciplinary approach has also led to collaborations with cultural institutions such as Sotheby’s, Gazelli Art House, and Soho House, as well as global brands including Nike x Spotify, Dove, The Beaumont, Budweiser, Burberry, and Belstaff.

Charlotte is a Clore Fellow (2019), part of a distinguished leadership development programme for an exceptional cohort of cultural sector leaders.

 

CV

Choreographic work:

Commercial

Movement Direction for Tena Rethink Bladder Leaks - Production Company, Omnicom Productions, 2026

Choreography for The Beaumont - Production Company, MDRNLove, 2026

Choreography for Nike x Spotify - Production Company, Uncommon Creative Studio, 2025

Movement Direction for Dove - Production Company, Prettybird, 2025

Choreography for Budweiser - Production Company, Park Pictures, 2022

Choreography for Brendan Dawes NFT x Gazelli Art House - Auction: Art Dubai, 2022

Movement Direction for Nike Underwear - Production Company, OffBeat London, 2022

Choreography for Brendan Dawes NFT - Auction: Sotheby’s, 2021

Casting Support and Wirework Audition Facilitation for Burberry Open Spaces, Choreography by (LA)HORDE, Direction MEGAFORCE - Production Company, Riff Raff, 2021

Movement Direction for Belstaff Surglands, Art Director Jackson Fredrick and Director Jeremy Soma, 2021

IV FILM, egg trading film, Director Matthew Donaldson, 2020

Choreography for DEUX McFaul Day, Director Dylan Kendle - Production Company, OffBeat London, 2018

Music Video

Movement Direction for Lola Young’s Messy performance on The Graham Norton Show - Record Label, Island Records, 2025

Choreography for Gretel Far Out - Partner Label, AWAL, 2024

Choreography for Jehnny Beth Flower - Production Company, My Accomplice, 2021

Short Film

Choreography and Direction for Ladette London Contemporary Dance School (The Place) - Production Company Mental & Water and Box Artist Management, 2026

Choreography for Case237 Director Isher Sahota, 2025

Creative Producer and Director for Cameo Series Two, Nowness - Production Company, TINALDN, 2025

Creative Producer and Director for Cameo Series One, Nowness, 2023

Choreography and Direction Goldfish, Nowness, 2022

Choreography and Direction, I AM MERL-LIN, Northern Ballet Digital, 2021

Choreography and Direction for TEN MILLION TONNES

Choreography for Winged Bull in the Elephants Case - BBC Arts and Studio Wayne McGregor, 2018

Executive Producer and Choreography for Sink or Swim, The Royal Ballet, 2017

Choreography and Direction for The Royal Ballet Deloitte Ignite Festival, 2014

Choreography and Co-Director The Indifferent Beak, Deloitte Ignite Festival, 2014

Stage Performance

Ladette BA (Hons) Contemporary Dance with Foundation Trinity Laban, London, 2026

Falsehood Trinity Laban Centre for Advanced Training (CAT), London, 2026

Rambert Dance Company and Birmingham Hippodrome Peaky Blinders Curtain Raiser, Birmingham, 2025

Lost Pariadise Durran Durran x Lost City Performance, London, 2025

Wool Over Their Eyes Dance Arts Faculty, Rome, 2024

Nest Dance Arts Faculty, Rome, 2023

Generation Goldfish Bayerisches Staatsballett, Munich, 2021

Jigsaw Central School of Ballet 2 Year End of Year Performance, London, 2021

Grit Dutch National Ballet Junior, Netherlands, 2020

Left from Write Norwegian National Ballet Ung, Oslo and London, 2019

Rambert School 2 Year End of Year Performance, London, 2019

Ballet Cymru, Wales and London, 2019

Birmingham Royal Ballet School End of Year Performance, Birmingham, 2019

jojo The Royal Ballet The Linbury Theatre, 2018 and Studio Wayne Mcgregor The Grange Festival, 2019

Piggy in the Middle The Royal Ballet Clore Studio Theatre, London, 2018

Iris Opera Holland Park, London, 2017

Fuse Dutch National Ballet Junior, Netherlands, 2016

Commissioned Choreographer The Royal Academy of Dance International Ballet Competition, London, 2016

META Wayne McGregor 10 Year Anniversary The Royal Ballet Clore Studio Theatre, London, 2016

Selfridges Everybody Campaign, London, 2016

MOVING LINES made in collaboration with Artist Hugo Dalton, Clore Studio Theatre, London, 2018

Choreographer for English National Ballet’s Emerging Young Dancer Competition, Hippodrome, London. Isabella Brouwers (2016) and Constance Vowles (2018)

Self York Dance Project, London, 2016

No Strings Attached Yorke Dance Project, Lilian Baylis, London, 2013

Residences

Assistant Choreographer to Director of Rambert Dance Company, Benoit Swan Puffer for Ballo Opera Roma, 2023

Inaugural Young Choreographer The Royal Ballet, 2015 - 2018

Awards and Fellowships

The Arts Foundation Awards, 2025

Clore Leadership Fellowship ‘19 Cultural Sector Leaders, 2023

Center for Ballet and the Arts Dance (NYU), NY 2017

Northern Ballet Tell Tale Steps Choreographic Lab, 2016

Cohan Collective, York Dance Project, 2015 and 2016

Guest Speaker

Soho House Curator and Host of Film Screening Dean St, London, 2023 and 2025

MIISTA Panellist, London, 2025

Royal Academy of Dance Patron’s Evening, London, 2023

Visible Women Murray Edwards College Cambridge University, Cambridge, 2021

Bayerisches Staatsballett, Munich, 2021

Nyetimber Made Glorious Campaign, 2019

Guildhall with Director and Music Director of The Royal Ballet, London, 2018

Royal Opera House World Ballet Day, live rehearsal with Joseph Sissen’s and Interview, 2018

BBC News and BBC Radio London, 2017

Royal Opera House World Ballet Day, live rehearsal of The Royal Academy of Dance, Genee International Ballet Competition, 2015

Birmingham Royal Ballet Choreographic Competition Judge 2021

British Dyslexia Association Dyslexia Creates, V&A Museum, 2019

The Royal Opera House, Live at Lunch, 2019

Summer Schools and Guest Teaching

Trinity Laban, 2026

Dance East Centre for Advance Training, Ballet Tutor, 2025 - onwards

English National Ballet Youth Co and Youth-Connect, 2025 and 2026

Central School of Ballet Summer Intensive, 2026

Rambert Dance Company, Guest Teacher - Company Class, 2025

Guest Choreographer for English National Ballet YouthCo Summer Intensive, 2025

Guest Teacher for Rambert Company Professional Morning Class 2024- 2026

Guest Choreographer and Creative Teacher for Royal Ballet School Summer Intensive, 2016 - onwards

Guest Teacher for Rambert School Fresh Friday’s, 2024-2025

Guest Teacher for London Vocational Dance School Creative Enrichment Workshops, 2024-2026

Co-Curator and Facilitator for Rambert School x Move Beyond Words x One Dance UK Neurodiversity in the Studio Research, 2023

DanceXChange Choreographer and Ballet Classes, 2021

Dance East Centre for Advance Training Creative Facilitator on Outreach Projects, 2019

Guest Choreographer for Dutch National Ballet International Summer School, 2019

Guest Choreographer Cymru International Summer School, 2018

Commissioned Choreographer and Facilitator for The Royal Opera House Chance to Dance, 2016

Contemporary Teacher Workshop for Royal Ballet School, 2015

Awards and Features

Featured in The Bigger Picture Book of Amazing Dyslexics and the Jobs They Do by Kate Power and Kathy Iwanczak Forsyth, 2020

Gold Prize Telly Awards, Category: Dance Film, Goldfish, 2023

Trustee

York Theatre Royal, 2026 - onwards

Work Experience / Rehearsal Observations

The Royal Ballet, Crystal Pite, 2017

Netherlands Dans Theatre, Sharon Eyal, 2016

Paris Opera Ballet, Wayne McGregor, 2016


What exactly drives someone to walk this difficult path of becoming an artist

Charlotte is unforgettable. In a crowd, she doesn't seek the spotlight; in social settings she's warm and easy in conversation, but always carries a touch of mystery. That's probably because behind her elegant face is a penetrating gaze, and behind her composure, her mind is running at high speed. Her curiosity and creativity give her both practicality and a broad vision.

Charlotte studied ballet from a young age, and about ten years ago, right after graduating from dance school, she was invited to join the Royal Opera House as a resident choreographer for three years. With this solid artistic foundation, Charlotte went on to develop a wide range of independent choreographic work and cross-disciplinary collaborations — beyond live performance, also short films, music videos, interviews, teaching, and brand collaborations. In short, the invitations never stop coming.

Her next work is highly conceptual, centred on Britain's 1990s "ladette" culture and the freedom and constraints of female identity in today's chaotic generation. I've seen footage of her dancing/choreographing — technically demanding, unpredictable, raw and wild, charged with sexual tension. I could feel that her style is the best language for exploring this concept. What she envisions can expand humanity's understanding of the world — and this understanding isn't built through words or logic, but through the creation of space and the reach of the body, generating a shared perception born from the resonance between people.

Perhaps artists — especially leaders among them — never really had a choice. We're like people who've been chosen, who see a unique vision of the world's unrealised beauty — fragile and precious, yet possessed of an irresistible force, compelling us to forsake the easy path and pursue the hard one with burning devotion. Charlotte is one such chosen artist-leader.

— Joyce Lee, Theatre Director